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Anne Fogarty (February 2, 1919 – January 15, 1980) was an American fashion designer, active 1940–1980, who was noted for her understated, ladylike designs that were accessible to American women on a limited income. Scribner Encyclopedia of American Lives, Thematic Series: The 1960s (preview) Accessed February 17, 2012. She started out as a model in New York in 1939, working for Harvey Berin on Seventh Avenue, before studying fashion design. She eventually secured a full-time design job in 1948, and became well known for full-skirted designs with fitted bodices, inspired by Christian Dior's New Look.
Fogarty's clothes were easy to wear, practical, and made with casual fabrics, following the American sportswear tradition. She ran her own label from 1962 to 1974, and worked as a freelance designer until her death. In 1959, Fogarty published a style manual, Wife Dressing: The Fine Art of Being a Well-Dressed Wife, which emphasized femininity, neatness, and always being suitably dressed as desirable qualities. Wife Dressing was rediscovered in the early 21st century, and has become a key resource for designers and fashion historians looking to explore the 1950s ideology of ultra-feminine dressing.
After Harvey Berin, Anne worked as a model and designer for the Sheila Lynn company. In 1940, she married the artist Thomas E. Fogarty. Although the marriage eventually ended in divorce, Anne retained his surname professionally. She modeled and worked as a stylist and publicist, including styling Rolls-Royce advertisements, until, in 1948, she secured a design job for Youth Guild, a new company that specialized in teenage fashion.
Fogarty did not follow the latest fashion fads, but focused on staple, stylish designs. She was a disciplined designer whose clothes were designed to be versatile and easy to wear. "Anne Fogarty: Day dress and coat (C.I.63.47.3ab)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art (October 2006) Accessed July 14, 2023 Her designs were rarely trimmed as she focused instead on good cut and silhouette, and she favored casual fabrics such as flannel, velveteen, printed cotton, denim and linen, which appealed to a younger audience."Fogarty, Designer, Dead at 60", obituary in The Reading Eagle, January 16, 1980 In 1954, she designed her first shirtdress, a combination of a masculine shirt extending into a full skirt worn over multiple petticoats. This became one of her favorite designs."Popular Shirt Dress Combines Tailored Top with Ruffly Skirt", Reading Eagle, June 30, 1954, page 26 One of her most successful designs, a high-waisted dress with a full skirt and scoop neck, has been described as the "Paper Doll" dress and was available in both day and evening versions. However, the fashion historian Caroline Rennolds Milbank states that the "paper-doll" silhouette describes Fogarty's earliest full-skirted designs. In the mid-1950s, in addition to her full-skirted designs, which always had separate crinoline petticoats for ease of movement and traveling, Fogarty developed new slimline designs such as the fitted sheath dress. She is also credited with being one of the first American fashion designers to market the bikini.
In 1960, Fogarty offered casual sportswear including dresses with removable waistcoats to alter their look, and coat-and-dress sets in boldly contrasting colors. During the 1960s she produced A-line dresses and, after the miniskirt became established, designed peasant-inspired dresses in both mini- and maxi-lengths. Her new favorite silhouette, replacing full skirts, was the straight-skirted, high-waisted Empire line dress with tiny puff sleeves and low neckline. Her designs in the later 1960s and 1970s became quite adventurous, including trouser suits and Kaftan. In 1971 she designed midriff tops paired with wrap skirts, and knickerbockers paired with pinafores, alongside more conservative designs such as flounced maxi dresses and taffeta and satin shirtdresses. She also offered hotpants ensembles with long skirts and ruffled blouses.
Fogarty won a number of awards for her design work. In 1951 she was awarded a Merit Award from Mademoiselle magazine and a Bonwit Teller award, and received a special Coty Award for the "prettiest dresses". The following year, Fogarty won a Neiman Marcus Fashion Award and received an award from the Philadelphia Fashion Group. In 1955 she received an honor from the International Silk Association and in 1957, won a Cotton Fashion Award. Following the Cotton Fashion Award ceremony, a fashion show showing Fogarty's Summer collection for that year was held. Called "Goldfish Safari," it presented cotton daywear, activewear, cocktail and evening wear in goldfish colors designed especially for travel and holiday wear. At the time, Fogarty said of her work:
Her clients included Tricia Nixon and the journalist and television personality Dorothy Kilgallen. Kilgallen's last public appearance, on a live network telecast of What's My Line? approximately four hours before her death, was in one of Fogarty's chiffon cocktail dresses.
Dorothy Kilgallen's funeral, which occurred less than four days after she wore an original Fogarty dress on a live network telecast of What's My Line?, was attended by Fogarty. In 1967, Fogarty married Kilgallen's widower, Richard Kollmar. According to a 1971 interview she did with the syndicated newspaper columnist Marian Christy, Kollmar broke his shoulder in an accident at home on New Year's Day 1971, which caused a blood clot to develop, and he died "a month later" on Anne's birthday, which was February 2. The New York Times, The Washington Post and other newspapers, however, ran obituaries for Kollmar on January 9 and 10 of that year."Richard Kollmar, Actor on 'Dorothy and Dick' with Kilgallen, Dies." The New York Times January 9, 1971"Actor, Wed to Columnist." The Washington Post January 10, 1971, pg. D14 The Washington Post reported on January 10 that Kollmar had "died in his sleep late Thursday January."
Fogarty was married a third time in 1977, to Wade O'Hara, but this marriage ended in divorce.Morris, Bernadine. "Anne Fogarty, Designer of American Look." The New York Times, January 16, 1980, pg. D19. On January 15, 1980, she died of a heart attack in her apartment in the high-rise building at 200 East 64th Street in Manhattan. citation from Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. by Scott Wilson published in 2016 by McFarland & Company, Inc. in Jefferson, North Carolina She is buried, not next to any of her husbands, at Green-Wood Cemetery in Brooklyn, New York.
Fogarty's principles continue to be cited by designers and historians such as Valerie Steele who has explained how they informed the costuming of Mad Men. In reference to Fogarty and Wife Dressing, Steele had earlier stated that the 1950s "ideology of ultra-feminine fashion was most clearly defined by a woman."
Career
While at Youth Guild, Fogarty developed one of her signature looks, the tight-bodied dress with a very full skirt worn over a stiffened nylon petticoat, influenced by Christian Dior's New Look. As Fogarty was a junior size 7, with her small 22-inch waist and modeling experience, she was able to wear and show her own designs to advantage.Roe, Dorothy, "Anne Believes In Showing Waist", Kentucky New Era, May 22, 1957, page 11 Some of her dresses were featured in a double-page spread in Harper's Bazaar. In 1950, Fogarty was offered a design job at Margot Dresses, a company specializing in junior fashion. She worked there for seven years, designing not just dresses, but accessories, lingerie and outerwear. In 1957, Fogarty moved to Saks Fifth Avenue, where she was one of the main designers. She launched her own firm, Anne Fogarty Inc., in 1962, and in the mid-1960s, launched several spin-off labels including A.F. Boutique, Collector's Items by Anne Fogarty, and Clothes Circuit. Anne Fogarty at the Vintage Fashion Guild Label Resource. Accessed February 21, 2012 She retired in 1974 and closed her business. Despite this, she worked up until her death as a free-lance designer, with her last collection created for Shariella Fashions in 1980.
Personal life and death
Fogarty had two children with her first husband, Tom Fogarty. They were married for 17 years. Tom Fogarty worked as an art teacher at Pratt Institute in Brooklyn, New York.Massow, Rosalind. "Success and marriage: it's a tough combination for famous wives," Parade magazine, The Reading Eagle – January 21, 1962, pp. 12–13 Obituary for Thomas Fogarty Jr., Painter, The New York Times, April 15, 1989. Accessed July 14, 2023 The marriage ended in divorce.
Wife Dressing
Wife Dressing: The Fine Art of being a Well-Dressed Wife was first published in 1959. It is considered Fogarty's best known work. In 2008, Rosemary Feitenberg (a writer for Women's Wear Daily) rediscovered the book and had it republished. (2026). 9780979338427, Glitterati Inc.. ISBN 9780979338427 A facsimile reprint was issued in 2011 by the Victoria and Albert Museum. (2026). 9781851776306, V&A Pub.. ISBN 9781851776306 This latter was enthusiastically reviewed by the Belfast Telegraph who declared it "prim, dated and anachronistic, but still a delight".
Further reading
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